The Luan Gallery is delighted to announce its winter exhibition for 2016 entitled Without the Words. Celebrating the art of illustration, Without the Words is a group exhibition selected especially for Luan Gallery which showcases the brightest talents of Irish Illustration today.
Showing works by a variety of artists, Without the Words includes samples by both established and high profile illustrators as well as emerging creative talents and forms a celebration of visual storytelling and the imagination. Without the Words is an exhibition inspired by a line from Emily Dickinson’s well loved poem: ‘Hope is the Thing with Feathers’.
Margaret Anne Suggs, Illustrators Ireland Promotions Officer says:
‘In most circumstances an illustrator will respond to a brief which is communicated either through written or spoken word. As supporters of visual literacy, Illustrators Ireland propose to tell our visual stories, putting the pictures first- without the words. Here we tell our stories; visually stimulating the imagination to respond by creating an individual narrative, not a prescribed story’.
Illustrators Ireland is a community of professional illustrators working together to actively promote the craft and art form that is illustration. Members offer a wealth of combined experience and amongst those exhibiting include Kate Greenaway Medalist and current Laureate na nÓg PJ Lynch, former Laureate na nÓg Niamh Sharkey, and 2016 CBI Book of the Year Nominee Lauren O’Neill. With over 40 members’ work on exhibition, visitors are invited to find their own narratives within the original works.
The show combines computer generated imagery with traditionally executed drawings to present an assortment of colourful scenes and images to ignite imagination and discussion.
Aedín McGinn, Luan Gallery says:
‘We are thrilled to present this exhibition and showcase the wonderful variety of works by Illustrators Ireland. Throughout the course of the exhibition, Luan Gallery is offering up its River Gallery space to a participatory project entitled ‘The Big Picture’ in conjunction with Laureate na nÓg PJ Lynch. Here, visitors to the exhibition will be invited to add their own illustrations directly to the wall, responding to the works on show and resulting in one large evolving time based mural. So come one, come all and draw on the gallery wall!’
Speakers at the official exhibition launch include: Aoife Murry from Children’s Books Ireland, Margaret Anne Suggs from Illustrators Ireland and PJ Lynch, current Laureate na nÓg.
The exhibition will open on November 5th at 6pm with a wine reception to which all are welcome and continues until 27th January 2017.
There’s an Illustrators Guild of Irelandgroup show coming up soon (I’ll keep you posted). It’ll be in the Luan gallery in Athlone to begin with but will then swim around the country. The IGI has done quite a bit of that kind of thing; it works a treat to get the membership known more widely.
I had the presence of mind to film part of the process of making this painting only at the outset -as usual, I then became embroiled in the little world I was creating and forgot about the camera. Still, that makes for a short, easy to view movie. It’s only a minute long although the artwork took about twelve hours to complete. There’s a bit of lively, upbeat jazz to help you with your viewing, so if you’re at work, do turn the volume down!
An acrylics on paper absurdist painting of a fish for an exhibition with the Illustrators Guild of Ireland and Luan Gallery in Athlone.
Speaking of nets; this art is for a curated show, so everyone has to submit their work for review, so there is the possibility of rejection and being thrown back in the lake. Fins crossed.
You’ve probably noticed that the background isn’t New York or London -I made it up, but it does have the big city feel about it. I fancied that the fish could be some kind of Don Draper figure, arriving in Manhattan to his ad agency. A big fish in a huge pond. After all, the piece does have a kind of fifties retro feel.
We just got back from France on a late flight last night. A long journey to Beauvais airport from Merlimont in 30º heat and back to half that in Dublin. Still, it’s great to be home, whatever the weather. A few weeks ago, I slammed the seat of my motorbike down on top of my lovely smartphone and, wait for it…then rode off for about twenty miles before I needed to call home and couldn’t find my phone. After going through the usual process of patting my pockets and shuffling around in small circles looking in the grass at the roadside, I realised what I’d done. There was my phone, wedged nicely at the hinge end of the seat. I stared at the mangled phone and made tiny sobbing noises for a while. I also uttered very many oaths and curse-words but to no avail.
The upshot is, I was mostly offline for the week in France, which turned out to be a good thing as I wasn’t peering into the screen looking for signs of work projects which weren’t there anyway. I used instead, an old Nokia phone which we keep as a backup for my frequent phone mishaps. I find it amazing how I’ve been seduced by the promise of always-on connectivity. I felt bereft because I couldn’t post anything to social media. Pathetic.
So, I’ve made a decision and it’s final: I’m going straight out this afternoon to buy another smartphone.
Below is a drawing from my sketchbook. It’s cross-hatched using a fine-line pen. I was leafing through a French copy of Graffiti Art Magazine and came across an artist from Catalonia who calls himself Popay. It’s difficult sifting through another language for details when you’re standing in the middle of a newsagent’s shop reading the magazines when they want you to actually buy one. After seeing the €7.90 price tag, I spent some time pretending to browse other magazines and then patting my pockets as if I’d forgotten my wallet, I exited the shop, replete with half-learned information. (The things I do for research, honestly: I should be awarded with l’Ordre national de la Légion d’honneur for services to art.) There were some drawings of Popay’s reproduced amongst all the colour work. I really liked them and that sparked off a series of sketches in my sketchbook.
Click on the above picture as it’s actually a slideshow. ^
I’m currently engaged in making another linocut limited edition print (of 25). I wanted to make the description of the kingfisher a little simpler as I have only 5 flat colours to work with. Also, I had to make a jig to make registering the plates more accurate and not have the colours printing in the wrong place.
I chose to print on a fine grain watercolour paper instead of a smooth one as I want to see texture rather than a purely flat colour. This introduces yet another variable to the process which makes each print unique.
3 of these are already sold.
The image is roughly A5 on an A3 sheet of Fabriano fine grain 140lb watercolour paper. Signed and embossed with my studio stamp.
So that’s the end of my solo show in Harold’s Cross. Feeling very wistful today -I liked being in the space and having friends and randomers strolling in, talking about art, Brexit and football.
A fellow artist arrived in last night to collect something from me just before I closed and as I talked, I could feel the energy draining from me (nothing to do with him!) it’s just that as it finished, all my alertness and tension fell away. By tomorrow I’ll be comatose!
Hopefully, the space won’t have been occupied by then -but there are no guarantees. In the pics I took over the week or so, I felt that the gallery looked just right in that spot. It had a kind of Continental look to it, tucked away in that corner; un petit coin du paradis…
What do you think all of you out there in Dublin6land? Please ‘LIKE’ the 6 Pack project FB page at the above link.
Joe and Steve Wall (The Walls and formerly of The Stunning) dropped in to see my exhibition in la Galerie Impromptu, Harold’s Cross and to play the Peacock Guitar.
I received the unadorned guitar about eight months ago from Chris Maher of The Musical Youth Foundation and although I began work on it almost immediately, I ran into a couple of difficulties, mostly at the finishing end (there’s nothing clear about lacquer!) However, I eventually made it through.
I made a short video recording the process by which I decorated it -and then the lads give it a blast of, ‘Are you Lonesome Tonight’ at the end.
For anybody who likes to paint; I used Golden Artist Colours ‘Fluid’ paint to keep the strokes flat but still intense. In the Golden range are also some iridescent paints which were ideal for some of the bright plumage. The edges and other gold areas are gilded.
You can still see this artwork at la Galerie Impromptuuntil Sunday June 26, when the gallery closes and reverts to a disused laundry. The proceeds from the sale of this guitar will go to the Musical Youth Foundation who provide access to an education in music for ALL children in Ireland.
The Fundit.ie campaign for my upcoming show, ‘Flights of Fancy’ is a few hours from closing and has exceeded expectations. Thank you all for the support and I’m currently working on the rewards for you.
I’ve attached a design for a poster which will go onto a sandwich board outside the space -and elsewhere around the locality as we come up to the opening date. In the spirit of crowd-activity, do let me know what you think. Squawk!