Over the years, I’ve spent many happy hours playing music in the snug of Hughes’s pub in Dublin. I haven’t been in for a while; a visit is long overdue. In honour of Michael.
Oils on canvas. 16″ x 12″.
The Great Tune the World was Waiting For.
Category: Narrative Painting
Queen of Hearts
A secular icon. Queen of Hearts. Acrylics on Arches paper. 24cm x 34cm. Framed
The Death of Reason
New artwork: The Death of Reason.
Painting: Oils on stretched canvas. 16″ x 20″.
The City
I was invited to submit works based around the theme ‘The City’ to le Louvre open submissions show in Paris. Acrylics on canvas. 12″ x 26″.
Limited edition (50), numbered and hand-signed museum-quality archival giclée prints with an edition certificate (Hahnemuhle German Etching fine art paper) available directly from me: KevinMcSherryArtist@gmail.com
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| The City. Acrylics on canvas painting for le Louvre open submissions show.
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Brunaille: Next week’s demonstration of a Monochrome Underpainting
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| A Brunaille: technique of making a warm, monochrome underpainting |
If you want to try out this technique of making a warm, monochrome underpainting at next week’s class, you will need the following tubes of ACRYLIC paint:
Ultramarine
Burnt Siena
Flesh Tint (Winsor & Newton) or Warm Bright Yellow (Sennelier)
Titanium White
This technique provides you with a great big safety net for you when you get to the point of adding colour by glazing -and the results can be beautifully rich and lustrous. I often use this method in my hand painted illustrations as I can get the whole work planned out in monochrome before committing to colour. In the image above, I didn’t even glaze colour and left the brunaille as it was -I thought colour would detract from this one. If you’d like me to hold a demonstration in your area, why not drop me a line at kevin@mcsherry.ie?
Brunaille: Underpainting in warm monochrome.
Grisaille: Underpainting in cool monochrome.
The Inscrutable Ones Painting
The Inscrutable Ones
Acrylics on gessoed panel in antique frame. 11”x 9” Available to buy.
Acrylics on gessoed panel in antique frame. 11”x 9” Available to buy.
Le Retour de PencilBoy
We just got back from France on a late flight last night. A long journey to Beauvais airport from Merlimont in 30º heat and back to half that in Dublin. Still, it’s great to be home, whatever the weather. A few weeks ago, I slammed the seat of my motorbike down on top of my lovely smartphone and, wait for it…then rode off for about twenty miles before I needed to call home and couldn’t find my phone. After going through the usual process of patting my pockets and shuffling around in small circles looking in the grass at the roadside, I realised what I’d done. There was my phone, wedged nicely at the hinge end of the seat. I stared at the mangled phone and made tiny sobbing noises for a while. I also uttered very many oaths and curse-words but to no avail.
The upshot is, I was mostly offline for the week in France, which turned out to be a good thing as I wasn’t peering into the screen looking for signs of work projects which weren’t there anyway. I used instead, an old Nokia phone which we keep as a backup for my frequent phone mishaps. I find it amazing how I’ve been seduced by the promise of always-on connectivity. I felt bereft because I couldn’t post anything to social media. Pathetic.
So, I’ve made a decision and it’s final: I’m going straight out this afternoon to buy another smartphone.
Below is a drawing from my sketchbook. It’s cross-hatched using a fine-line pen. I was leafing through a French copy of Graffiti Art Magazine and came across an artist from Catalonia who calls himself Popay. It’s difficult sifting through another language for details when you’re standing in the middle of a newsagent’s shop reading the magazines when they want you to actually buy one. After seeing the €7.90 price tag, I spent some time pretending to browse other magazines and then patting my pockets as if I’d forgotten my wallet, I exited the shop, replete with half-learned information. (The things I do for research, honestly: I should be awarded with l’Ordre national de la Légion d’honneur for services to art.) There were some drawings of Popay’s reproduced amongst all the colour work. I really liked them and that sparked off a series of sketches in my sketchbook.
Sir William Marshall at Microcosm: Kilkenny Arts Festival
This is my contribution to the Illustrators Guild of Ireland show at the Island Mill in Thomastown, co. Kilkenny. The show, entitled Microcosm, runs from Aug 5 to 14. You can get more details here: https://www.facebook.com/grennanmillcraft/?fref=ts
This shows the bould Sir William in the famous hurling match between Kilkenny and Tipperary in 1214. Kilkenny pipped it as they had heavier cavalry and crossbows.
Acrylics on Arches watercolour paper. A5.
Puffins Puffins Puffins
Well, there’s only 14 days to go before the Fundit.ie deadline…at 36% of funding right now…must…have…contingency…plan…
Things are hotting up, chez McSherry.
Meanwhile, here’s a picture of a very handsome man with a painting superglued to his trousers.
If you’d like to help him unglued the painting from his pants and stop him walking around Dublin like a puffin, you can support this exhibition and be REWARDED:
The Invincible Inaba
“The Invincible Inaba”.
6″ x 8″ three colour acrylics demonstration piece.